CRAM ME NOW AND FOREVER

This ain't no/some/your gentle/sweet/rough love/fantasy/trip. This is the raw/deep/burning need to smash/destroy/screw right now/this instant/immediately. I want every inch/all of you/to feel me inside you, and I want it forever/until we die/until there's nothing left. You listen/obey/better believe me when I say this: your pleasure/pain/existen

Morton's solos, on the other hand, were even now near to ragtime, and weren't just improvisations over chord variations as in later on jazz, but his use of the blues was of equal relevance. This is often the situation, as we’ll see, since polyphonic texture is often just every time a piece of music having a monophonic or homophonic texture adds